Here’s some stuff I wrote on tour and never published. It was Saturday, Feb 11.
Tonight we’re in Nederland, CO. The space we’re playing is real new – it’s called The Caribou Room. From what I understand, it’s a sound engineer’s baby that he started for fun, and wanted to do everything right. Great sound onstage. While loading in, Terry (our drummer) said, “hey Ben, you’re gonna be excited to see what’s back here.” I assumed that meant there was a Hammond organ, but didn’t want to get my hopes up. In fact, there was a Hammond and Leslie – a Model A (the first organ Hammond produced) and a “tallboy” 31h Leslie cabinet. I shouted “F*CK” and surprised one of the staff who happened to be walking through the room. Turns out it’s more or less being stored there by one of the staff, so I won’t get to play it tonight. There’s a C3 and Leslie 122 available for rental, but because it wasn’t negotiated earlier, we’d have to pay like $200 to rent it. Hopefully we’ll play here again and get it covered in the contract; the engineers made it sound like they could hook that up easily.
Last night we were in Denver at Ophelia’s. I’d never seen a club set up the way it is – two levels with the stage on the basement level and a big hole in the ground floor. People next to the balcony can look down on the stage, and above the stage is a video projection screen for anyone further back.
The most exciting part was opening for Foundation of Funk – a supergroup featuring Joseph “Zigaboo” Modeliste and George Porter, Jr. (bass and drums respectively) of the Meters. They tour adding different guests – for this show, it was Eddie Roberts (New Mastersounds) on guitar and John Medeski on keyboard. Far and away the best keyboard setup I’ve gotten to use yet – he had rented a B3, D6 clavinet through a fender deluxe, and Nord stage. I namedropped one of my PSU professors, David Valdez, who had played with Medeski many years ago in Boston. “Man, he was just this punk kid back when I knew him. One of those really burnin’ players.” I got a hold of Valdez on facebook: “We played a lot of gigs together. Never expected he’d end up a rock star.” Medeski was kind enough to let me use his custom wah pedal that he’d had made in Greece since I always use the onboard wah on my Nord. He warned me it was $1000 to replace. The only mishap was that I managed to make the clavinet feed back, which I didn’t know was possible. I guess it was turned up too high when I turned the wah on in preparation for a solo.